Showing posts with label society. Show all posts
Showing posts with label society. Show all posts

Sunday, February 9, 2025

Energize Your Actions Toward Wholeness

Create. Develop solutions. Make plans that offer concrete alternatives to those you disagree with. Seek cooperation and energize your actions toward unity. 

It’s okay to feel sad, disappointed, angry. Of course it is. Each of us has a personal lens through which we experience and view life. The pendulum swings, the ocean ebbs and flows - trite yet accurate metaphors. (I’ve written a few posts before on POLITICS so will try not to repeat myself.) Develop goals to care for and help those in need, and the best place to start is in your own local area.

Yet it is also true that when we focus on negativity and fear, demonizing others or referring to them as evil, that feeds the morphic fields that vibrate with those energies. 

Study history or simply live long enough, and most of us can reflect upon our human past as constantly shifting. Sometimes what occurred, we vehemently disagree with. And with the path, group, or party we chose. That’s normal. 

What I see, though, is how responding in the moments of despair and putting that negativity on public platforms, deranges one’s self as well as others. Feel the feelings. Absolutely. But is there an actual need to vomit those feelings all over social media without having even processed them? Without having found your own path through them so that you can continue forward with strength? Without showing others how you are rising above your fears? Without providing constructive criticism and potential concrete solutions? Probably not. Our culture has promoted public proclamations that encourage ‘misery loves company’ — a tendency that ratchets up all our negative feelings and actively builds division. 

We need to focus on what we are feeling and then be honest: are we actually, tangibly being affected right now or is it manifesting as constant fear of what might happen? Most of the time, it’s the latter. Or we are projecting our fears onto others and envisioning what might happen to them. I saw a brilliant meme/post last year with this common sense advice: make a list of all that you’re afraid of, then get on with your life, periodically checking to see what, if any, of your fears actually manifest in a concrete way that is harmful to you. If something does manifest around you, work to change it or leave — choice. Is it easy? No. Can it be done? Yes, although sometimes it does involve planning and time to implement. Activism has always been honored as a part of American freedom, but to be worth the time and effort involved, its best results arise when we have a concrete plan to implement that is legal and ultimately unifying. Ranting and raving along with destructive actions is divisive.

I’m dismayed when I see ‘influencers’ on social media, especially those who profess to be spiritual or enlightened or simply see themselves as kindhearted caregivers or healers, spreading fear, usually based upon their own past experiences and then projecting them into the future and onto people they see as evil, just because those people take a different view and approach to life. 

In our country of the United States of America, we are gifted with a vast land of opportunities and possibilities — for everyone, if people would focus on actually living their best life — this means act in every moment to build the life you want in the location you want. 

Stop making enemies by trying to mandate/force others to acknowledge who you see yourself as; that only matters to your inner world. Stop trying to coerce/force others to believe as you do; part of freedom of speech and freedom of religion is in NOT forcing others to believe as you do. As long as no physical harms are done, which are already illegal actions and need no further clarifications. The majority of people are more concerned with living their best lives. 

If you feel scared to be yourself — move somewhere else when you become an adult. We have fifty states we can choose to live in, every single one of them different in a multitude of ways. I did that myself; as a young adult, I sought out locations where I felt safe and at home there, pulling up and moving on if it didn’t work out the way I’d hoped. Was it hard? Absolutely. Did I learn a ton? For sure.

Stop blaming other people or being frightened of them just because they disagree or don’t see you the way you demand that they do. Just be you. Being disliked or disapproved of isn’t violence; only children or immature adults fall into that trap. Force, coercion, and mandating acceptance of differences nearly always backfires.

We don’t live in a utopia; we humans are a deeply flawed species while also containing amazing qualities. So keep choosing a path toward your best life, be the example, and that will filter into inspiration for others. Being all ‘doom and gloom’ lacks vision as well as inspiration and drags everyone else down unless you can also reveal options of encouragement.

The best way to change our world remains the oldest and simplest: walk your talk and be the change you want to see.

I end as I began this essay …

Be creative. Develop solutions. Make plans that offer concrete alternatives to those you disagree with. Seek cooperation and energies of unity. Express compassion and peace.

Thursday, June 21, 2018

Wanting what is best for everyone

Don't most of us want what is best for everyone? Especially the basics? Aren't we all Americans? Don't we simply seek these things in different ways?

In his book Tribe, about the complexities of veterans returning home from war, the author Sebastian Junger (a journalist who has spent years reporting on the front lines) speaks of many compelling aspects including "how do you make veterans feel that they are returning to a cohesive society that was worth fighting for in the first place?" He cites the destructive behavior of our politics as one that damages veterans and says, for instance:

"The most alarming rhetoric comes out of the dispute between liberals and conservatives, and it's a dangerous waste of time because they're both right."

Take that in for a minute. Really. Why do we continue to obsess about our differences instead of focusing on our core similarities in order to reach a resolution?

From Junger's perspective, we are living "in a society that is basically at war with itself" and that "people speak with incredible contempt" about whatever is relegated to the so-called other side. And, he says that "it's a level of contempt that is usually reserved for enemies in wartime, except that now it's applied to our fellow citizens."

How tragic is that?

He goes on to say that "unlike criticism, contempt is particularly toxic because it assumes a moral superiority in the speaker."

We truly need to understand that what we're doing and saying is destructive for all of us, for our country. Criticize if you must. Disagree on how to achieve what is best for everyone. But can we please stop heaping contempt upon those who think differently?

I'm not preaching. I'm at fault, too. I'm begging for all of us to be less divisive and more constructive in our conversation and behavior.

I want what's best for the greater good. Don't you?

Sunday, July 23, 2017

Middle Path Philosophy

Isn't it fun when we find a kindred spirit? Someone who speaks our thoughts with more clarity or eloquence than we can ourselves? Sometimes I feel quite alone walking what feels like the middle path in life, peeking into the more polarized landscapes on either side with curiosity as well as puzzlement, and often more than a little frustration. I felt less isolated this week while reading The Owl of Minerva, the memoir (though really more of a delightful, albeit brief autobiography) by philosopher Mary Midgley.

I've never read much philosophy, often finding it to be over my head and difficult to comprehend, but from the little I've seen so far, Midgley's books are purposely written for non-academics and I might just be able to glean some wisdom from them. This will be helped along by having read her memoir, I think, which provides a marvelous scaffold from which to view her work.

Midgley was born in 1919, with her first book published in 1978, and her latest book published in 2014. Her memoir came out in 2005 and gives a savvy, often witty, account of her life and how she wandered naturally into philosophy, what she points out is defined via its Greek origin as "love of wisdom." Where she differs from other philosophers is her aversion to reductionism or the abstract, instead she prefers a far more practical Big Picture approach -- and one imbued with embodied compassion.

In her memoir, Midgley comments on some of her favorite teachers. One of those was a history teacher and Midgley said about her that:

"She also reached back often into the past to show how the strange things that seemed to be happening now could have become possible -- what people had meant by acting in this way, what states of mind had shaped our world. This way of getting at the meaning of the present by looking at the past has remained central to me. It is just as useful for understanding thought as it is for understanding action."

How many of us have had such marvelous mind-broadening teachers?

I found myself regularly smiling, delighting in Midgley's British sense of humor as she interwove her personal experiences -- a father who was a vicar, going to a girls' boarding school, attending Oxford from 1938-42 -- with philosophical views, and the history of education before, during, and after World War II. From the distance of half a century, Midgley reviewed her past and kept me captivated all the way through the book. She stands firmly in the camp of context, that all of us present our own unique views and "individual value systems" in all that we do -- we can't help it ... and we shouldn't try to:

"Personality is not an irrelevance to thought, an obstacle to philosophical enquiry. It is an essential element in the solutions offered. All thinking is a human activity, radically linked to feeling and action. ... The impartiality that we have to aim at is not impersonality but simply the avoidance of irrelevant bias."

"In philosophy, rationalists are the people who keep trying to refine and complete that half-framed order, hoping to build it into a clear, universal system. Empiricists are the ones who keep saying, 'No, that won't do. Things are a bit more complicated than that.' This dialectic is unending. Both things are needed; both can be done together."

As to her subtle humor, for example (I wish I had marked more of her humorous anecdotes and comments, but I didn't), during the war she says of a friend that:

"She also took me to visit the home of her mother and aunts, a classic clamjamfrey of elderly ladies and cats with the cats mainly in charge ...."

Midgley addresses often her frustrations with the way that philosophy is addressed in university:

"Showing-off is indeed a feature of many kinds of life and of course it is often a harmless one. But that is no reason why it should be allowed to take them over. Any situation where a lot of young men are competing to form a dominance hierarchy, will produce cock-fights. But -- as Plato pointed out already -- these fights are not part of its essence; they are distractions from it. They interfere with philosophical work. 'Tough-minded' is much too polite a word to use for people who go to a meeting, not in order to understand what someone is saying but in order to catch him or her out by picking holes in it. ... In any case, the practice of bullying one's students ... is not a sport at all; it's a vice."

Mary Midgley was and is a remarkable woman. She raised three sons before writing her first book in her fifties, and points out that not only did she choose to put her children and home life first, but that she thinks it turned out far better that way because then she had lots of personal experience to apply to her philosophy. Not that she didn't keep her toes in the waters; her husband was a teacher/philosopher as well, and as Midgley's sons got older, she slowly began writing more, teaching, lecturing, and doing broadcasts. The latest interview I found was one from March 2015 HERE, where it said:

"She is, she says, still writing: currently working on an afterword for a book about her philosophy and also on a talk she will give next month at the Edinburgh International Science Festival, when she is awarded The Edinburgh Medal for her contributions to the 'wellbeing of humanity'."

I'm reading her books in order -- other than having enjoyed her memoir first -- and will no doubt write more blog posts as I follow her through those thirty years.

1978 Beast and Man
1981 Heart and Mind
1983 Animals and Why They Matter
1984 Wickedness
1985 Evolution as a religion
1989 Wisdom Information and Wonder
1992 Science as Salvation
1994 The Ethical Primate
1996 Utopias Dolphins and Computers
2000 Science and Poetry
2003 The Myths we Live by
2005 The Owl of Minerva 
2007 Earthy Realism
2010 The Solitary Self: Darwin

2014 Are you an illusion?

Thursday, July 14, 2016

An Inspirational Perspective on Being American

Wow! I know that's a mundane word for a book that combines philosophy and spirituality in such an eloquent flow, but, hey, that's been my constant response while reading this book, Jacob Needleman's "The American Soul: Rediscovering the Wisdom of the Founders". It is inspirational and filled with hope! 
This is one of those books that, if it were within my power to do so, I would have as required reading for all Americans. Profoundly moving and deeply edifying, this book speaks to all that I have been pondering recently. Needleman says that:
"The hope of America lies and has consisted in the fact that its political ideals and forms of government, its iconic actions and archetypal heroes, reflect in two directions at once--toward the external good of a life of liberty and equality and the reasonable search for a normal life of community and creative aspiration; and at the same time inwardly toward the search for inner development, the life of conscience and reason that defines the true nature of humanity and gives life its ultimate meaning. … America needs to recover its mythic dimension. If not, if it begins to live only in its first history, only in the outer dimension, it will have lost all that really nourishes the life of a nation or an individual." [my bolding]
The author talks of "The American Virtues and Their Shadows" and of so much more that the scope often leaves me breathless!
I heard about Jacob Needleman via his interview by Krista Tippett at OnBeing. http://www.onbeing.org/program/inward-work-democracy-jacob-needleman/222

Wednesday, July 13, 2016

Don't Ignore Oppression or Violence

I am grateful and deeply honored to have my piece "Ignoring Isn't The Same As Ignorance" published by Feminism and Religion. Many wise women post their thoughts there, and I appreciate every single one of them for sharing their ideas and insights, love and frustration, support and encouragement. May we all be at peace and live into loving voices.
Two Wise Visitors

Friday, July 8, 2016

When will it end?

I’ve been trying to read This Republic of Suffering: Death and the American Civil War by Drew Gilpin Faust but it’s tough. She puts the people front and center, and the text is grippingly realistic as she uses quotes from those soldiers who were there … and died or who never “came back”. I’m reading it because I want to understand the lingering effects all that suffering and blood in the soil has had upon our nation — and pour those emotions and patterns into a manuscript I’m working on. 
So while I’ve been reading, there has been (in the TV series Parenthood) a story-thread about a young soldier coming home from several tours in Afghanistan that has broken my heart. War is war, and as the character in the series tries to find a way to live in the “real world” again, I can’t help but reflect upon the Civil War soldiers who wrote to their loved ones of their pain and suffering, of everyone dying around them, of being far from home and being required to kill other people.
I had gruesome nightmares a few nights ago, I couldn’t seem to get away from them; no matter how often I woke up, they returned as soon as I fell asleep. I can hardly imagine the nightmares endured by soldiers when they are awake and asleep.
In the Civil War, soldiers tried many ways to manage the horrors they experienced, from focusing upon their own dying to religious succor to blocking all emotions and becoming killing machines. Faust says that, “As the intensity of this war and the size of its death tolls mounted in the months and years that followed, vengeance came to play an ever more important role, joining principles of duty and self-defense in legitimating violence.” When will this madness end? When will all humans realize the toll enough to stop the killing, the violence, the warfare? How can we release our fear and need for vengeance? One author said that war is a result of impatience, a result of wanting our own way so badly that we are willing to kill to get it.
I believe one way toward stopping the violence is to hold ourselves to the grief instead of the celebration, to the suffering and loss instead of the “victory.” Not all the time, not to the exclusion of the other joys in life, of course not. But when we think of “war” maybe keeping the losses everyone experiences at the forefront of our thoughts, maybe reflecting upon the suffering instead of becoming impatient with the “other” would be more prohibitive. I lament the sacrifices made by soldiers and their loved ones, even while I honor them — but we have to stop killing.


“Battle was, as a North Carolina soldier ruefully put it, ‘majestic murder.’ The carnage was not a natural disaster but a man-made one, the product of human choice and agency.”

Here is another view on "The Other Side of War" -- the writer's poem is so profound in its simplicity.

Wednesday, December 2, 2015

Meddlesome

In the movie Serenity, one of my favorites, River Tam as a child says: “We meddle. People don't like to be meddled with. We tell them what to do, what to think. Don't run, don't walk. We're in their homes and in their heads and we haven't the right. We're meddlesome.”



I rarely talk or blog on politics. I’m making an exception, one that might continue. 
Why do people condemn anyone who seeks to understand “why” terrorism happens or empathizes with the plight of another culture or even tries to point out our (not an individual but us, all of us) part in the problem, our responsibility. After all: WE MEDDLE. America and Great Britain and other European countries have long meddled in the Middle East, we’ve repeatedly stuck our noses into a tribal culture about which we comprehend so very little. And though we do need to defend ourselves against terrorism, we also need to step up and take responsibility for our part in the current mess. We meddle. Maybe for good reasons, or what we erringly believe are “good,” but often purely out of fear disguised as morality or righteousness. We try to impose, even force, our ideals, society, and/or morals upon another culture. 
With consumerism having gobbled up most of the world, is it any wonder that some cultures may not want it and/or may have a hard time keeping up and become angry? Maybe they haven’t had time to assimilate or grow naturally into the market at a pace that is acceptable to their religion and society. How many times has colonial arrogance viewed the other as savage?
Most people, including me, have only a gossamer grasp of history yet in our conversations we are eager to blame others from this limited perspective of what it means to be human in various cultures and we try to dictate how long it takes for change to happen. Even many history teachers or scholars focus upon a narrow time period—just as other professionals like doctors become specialists—rarely venturing into a broad spectrum of history. In our time, the vastness of global history is overwhelming, and yet we must make an effort to see beyond our personal narrow vision when we speak and act but, most of all, in the first framing, when we listen. 
Reading books is an excellent form of deep listening. Not just reading blips in articles or newspapers, which are far too limited or skewed to allow a substantive perspective on an issue, but reading books from various “sides” and immersing oneself in a subject dear to one’s heart but from an opposite shore. Usually we choose to read confirmatory books that reinforce our already existing beliefs and that result in a greater polarization. We feel good when we read that others agree with us, it confirms our sense of place in the world and affirms our sense of identity and belonging that feed our instincts for survival. But this kind of one-sided reading also can contribute to rigidity and radical judgmentalism: they’re wrong and I’m right. And, yes, I admit that it can sometimes be uncomfortable reading — and thus “listening” — to the “other side.” But if there is even the slightest chance that we can live together peacefully, respectfully, with dignity, then I’m willing to be uncomfortable once in a while.
Now, of course, someone might say that all of this psychology, philosophy, sociology, and trying to understand the other is moot because if we don’t control/kill “them,” then they will do it to us. All I can say to that is again…look at history. War leads to more war. Every great nation falls. We no longer have the option of “discovering” another continent upon which to expand and build a new nation. Our planet is finite and unless we find a way to all get along, it’s very possible that humans will become extinct. I don’t want that for my nieces and nephew; I want them to enjoy a beautiful, abundant, and safe world. 
Humans have the ability to change. We can choose to do so.
So the question remains: How do we help without meddling, without forcing ourselves?

Monday, July 20, 2015

Introverts, Misfits, and Community

My Brothers & Me in Missouri:
A Tree Planted When We Were Toddlers
I have been puzzling over the curious concept of community. How has it changed or remained the same in the past five decades? How much of community is fed by our similarities as compared to our differences? More specifically, how does community manifest for deep introverts (like me)? 
A lot of my curiosity has arisen because of an epiphany I had while writing Desert Fire, which was the realization that I had slowly and gradually become part of a community in Maine. And that it’s only upon reflection that I’ve realized how my soul was nourished by that subtle ebb and flow of community. I lost most of those tangible threads when we moved to Arizona, and, after nearly four years, have been unable to feel welcomed into a strong sense of community here.
Is that loss of community why I feel this tug to return to the landscape where I was born? To return to the land where both sides of my family-of-origin have lived for generations?
It feels strange to me to want — or at least be open to, for the first time in my life — to place myself in the midst of a culture that is predominantly the opposite of my own belief system. For me, as a pagan-liberal, to consider the value of living around Christian-conservatives is an enigma swirling in my mind. Will I be welcomed or ostracized? And yet, to continue growing in my understanding of Self and humanity through conscious placement into diversity holds a tantalizing energy. It’s almost like choosing to live in a  foreign country as an observer, an anthropological endeavor, while unable to detach from my emotions. Yet, within the southwestern Missouri Ozarks reside my own genetic and blood-roots, foreign as they may seem.
Big Spring, MO
(courtesy Wikipedia)
It is easier in many ways to settle in a place where everyone, or at least the majority, thinks as we do (Oregon, a state we are also considering moving to) than to be where the mindset is alien (Arizona and Missouri). And yet, if one’s purpose is to grow and share the beauty of diversity, what better way than to live on the edge, at the perimeter? If we live in separation — segregated — the gap becomes wider and the bridge more flimsy due to the distances between us. How do we nourish community within diversity? Precious Diversity in her “coat of many colors that my Mother made for me.” Will I be able to stay focused on my path and also find the community’s core goodness, our commonality?
Will the land support and soothe my fears and nurture our differences? At least in the Ozarks, I would be living in a moderate, lovely landscape (in spite of the occasional tornado) and climate where my husband and I can afford to live comfortably as we age closer to retirement. I want to walk barefoot upon the land and within my own mind — free from aversions to my past. 
My Grandparents' Farm in MO
I yearn to sink down, to ground — even if it is into my own blood-roots that I swore I would never return to. I never felt I fit in — with family or culture or religion — and yet, now, I also feel a kinship arising within me like the ancient sap of an ancestral core. Is it the simple process of aging that does this? Or is it self-realization? An acknowledgment and acceptance that I am spirit; genes, and uniquely woven — all of these? What are the gifts held within genetic memory and the people who are my family-of-origin?
Is it possible for the moist verdant rolling hills, the vibrant vegetation, and the multi-generational roots of family and community to be nourishing enough to offset the strain of living a culturally misfit presence?

During the past couple of months, as the potential for moving has become clearer, I’m reading a variety of related sources that touch upon family, community, diversity, and how we view our historic past. The books written by psychologist Mary Pipher have been extremely helpful; they have provided me with insights I’d not previously considered regarding our American views of family and community. (I wholeheartedly recommend her books, I’ve read all of them, though I find myself disagreeing with some of her more rigid views.)
For me, this research also entails trying to understand why some of us attach so strongly to the past and its symbols, while others can detach, even when we are born into the same families.* Most southern Missouri people were allied with the Confederacy, and yet, somehow, from a quite young age, I personally felt more like a Yankee. Because of this desire to comprehend a different perspective, I’m also reading books like Beyond Revenge: The Evolution of the Forgiveness Instinct by Michael McCullough, The Righteous Mind: Why Good People are Divided by Politics and Religion by Jonathan Haidt, and The War that Forged a Nation: Why the Civil War Still Matters published this year by James McPherson. 

_______

* I am an American hybrid, an example of the genetic melting pot; my ancestors are mostly 17th century immigrants from Ireland, Scotland and England, as well as from the Netherlands and Germany, blended with a couple of Native Americans. Is it possible that my different views (from my family) are also a product of genetic memory? In Beyond Revenge, the author points out that most of the American South was originally settled by “livestock herding” immigrants from Ireland, Scotland and Wales; these traditional cultures held a strong “honor mentality” due to their original way of life (their livelihood — herding animals — were portable and could be stolen away). This imprint has held firm even when they moved into agricultural pursuits. This is in contrast to the settlers of the American North who were a majority of European, England and Germany for example, established farmers in traditions (their livelihoods were predominantly agricultural and, therefore, could not as easily be stolen therefore emerging a different culture and mindset). Is it the German genes being expressed more strongly through me? McCullough’s book is absolutely fascinating, even though I don’t concur with all his findings. Nevertheless, it helped me to think outside the box.

Tuesday, March 10, 2015

Fading Flowers

photo courtesy Kerry N Barlow,
all rights reserved
I hide myself within my flower, 
That fading from your Vase, 
You, unsuspecting, feel for me — 
Almost a loneliness.
~ Emily Dickinson

When we absent our insights from the people and world around us, what is left is the ghost of a fading flower that was briefly seen. Perhaps I’ve been plucked from my nourishing garden to die more quickly in your vase as an object of curiosity, a thing to glance at even as I fade away and you wonder in a hidden corner of your mind where I went to. This is mere reflection of how we feel but don’t suspect when people die who haven’t left their stories behind except in snippets of someone else’s distorted memory. 
When I do not offer my story, and my body grows frail toward a fast-approaching death (relative to the vast expanse of time), you wonder where this vague uneasiness and loneliness comes from as a part of you remains forever curious about my life, my thoughts and feelings. “What?” you ask. “What was your life inside the walls around your heart?” As my soul pulls away from our relationship and the material world, my fading energy is unrecognized, obscured, fleeting.
Even if we don’t have the whole picture, we can immortalize particular moments. In my novels, there are parts of people I’ve known; I’m less lonely for them and others will see them, too, see glimpses of a life that made a difference … as we all do. However, I imagine how marvelous it would be if every person wrote at least one memoir of a pivotal transition or transformation in their life. This flower would be fresh forever, unfading.
A photograph doesn’t reveal soul or share story; after a generation or two passes, the photos tossed loose in the aging maple chest lined with cedar strips mean nothing. But dig through and pull up from below a sheaf of letters, a journal, a slim volume of preserved memory and the person is fresh, telling a tale of insight, of passage through the past.
Unless and until the reciting of oral history returns, books are best, paper is tried-and-true in its longevity. The books survive hundreds of years, maybe even longer now — they provide an opportunity to speak to an unknown great-great-grandchild or stranger who would be unsuspectingly lonely without having met your legacy. Maybe the paper will fade like the flower, though more slowly, your story rooted in the pages-once-living … like you were. Your body decays in the earth or your ashes are scattered, but your story means someone is less lonely for having known you beyond your death. Your descendants don’t have to access you through an archive or require electricity to read you digitally. All they need to do is open the cover, turn a page, and there you are — speaking to them, showing instead of hiding yourself, revealing the flower of your life in what may be a single petal through which they can, hopefully, hear your voice and know the essence of who you were.
And the world is a little less lonely.

_____________
More programs are being developed every day that preserve personal stories for generations to come. From StoryCorps to hospice programs to personal historians, writers and storytellers are attempting to make more voices heard; a particularly good article is “The Beneficial Effects of Life Story and Legacy Activities” by Pat McNees. 


Side Note: I often use the poems of Emily Dickinson as a portal into reflection and/or writing. Because I’m not trying to understand her meaning when writing it, the poem can become something unique to what is already simmering in my mind (whether conscious or subconscious) — kind of like dreamwork. There’s a lovely, and different, interpretation of this poem at The Prowling Bee.

Saturday, January 31, 2015

Fragments

A train — each car a fragment, a piece of the whole — took me away and brought me home, with fresh
insight and renewed love. A peculiar sort of journey that allowed extended periods of focus upon thought and idea, upon reality and our place within those spaces.
I’d never ridden the train before, and Amtrak was the perfect option for this particular trip because I didn’t want to drive up north during January. As the train pulled out of the Tucson station, I was pleasantly shocked at how smooth and quiet it was. While the side-to-side rocking motion was an adjustment, after a few hours I barely noticed it except for the occasional rough bit of track. Although, sleeping on the top bunk took a little more time to get used to. The 48 hours of travel between Tucson and St. Louis was peaceful and mostly solitary; I had reserved what is called a roomette in the sleeping car, and ended up spending most of my time in that little room reading, relaxing, reflecting, and writing. 
The train took me to visit my mom. Originally planned so that I could be with her during and after kidney surgery, which was cancelled a few days prior to my scheduled departure, I decided to go up to northeastern Missouri anyway. Mom, my brother, and my nieces were expecting me so we simply turned it into a social visit. I carefully selected two books for the trip; one for going and the other for returning home. I had my Kindle with me as well, but far prefer reading paper books.
Because of the initial circumstances behind the trip, my book selection for the journey up was A Bittersweet Season: Caring for Our Aging Parents—and Ourselves by Jane Gross. The time had not yet arrived for my brothers and me to step into a position of elder-care, but, since my dad died a few years ago and my mom was turning 77 this month, I felt compelled to do a little research on the subject. The author’s book is well-written, part memoir and part expose, but provides a bitter pill to swallow: the plight of the elderly in our medicalized, fragmented, and what I consider inhumane, approach to “sick care.” Much of what I thought I knew was wrong, and I was nearly overwhelmed by what I didn’t know.
One benefit, though, was that while I was visiting my mom and staying in her house with her, I was much more aware of the varied aspects of her current lifestyle and how quickly it could potentially change. Too many of us live in denial and I would advocate waking up sooner rather than later when it comes to this topic.
The book I chose for the return trip was Finding Beauty in a Broken World by Terry Tempest Williams, another
profoundly moving and deeply disturbing book. I confess that I almost turned to my Kindle for refuge in some lighthearted fiction, but the unique quality of traveling by train with its gift of relative isolation kept me glued to these subjects of depth. There are often so many distractions at home that making steady and rapid progress through difficult subject matter can be challenging.
At first glance, the blend of topics chosen by Williams — the art of mosaic, vanishing prairie dog towns, and African genocide — seemed bizarre. But since I’m a fan of this author’s work, I was determined to read the book. I found myself quickly falling under her spell, though my heart ached throughout the process of reading; I often needed to close the book and take some deep relaxing breaths before continuing. Even the style of writing is fragmented, a fitting example of how the author is trying to make sense of the world we have developed -- and damaged.

As I rode the train home to Tucson, I could feel myself to be fragmented — an angry witness to a broken medical system, a shard of pottery in rubble, a bleached bone. And yet, I choose to allow the anger to melt, I choose to soften into love. I choose to continue finding my own way to create a beautiful, healing mosaic out of my own life and the world around me, knowing that I am also a fragment in someone else's mosaic. 
My Nieces
P.S. There's something funky going on with the text in this post -- my apologies! 

Thursday, November 13, 2014

Puzzle Pieces

The puzzle of morning is which piece to start with … 
the frame is so far away that we can’t see it, 
like looking across the vast desert 
and wondering if that is a mirage or a real oasis …

The puzzle of morning is which gorgeous piece to start with. They are all right choices, one cannot go wrong, but some will make a smooth flow while others leave greater confusion for a while. And I like how routine — or sacred ritual — or both — provides a template through the scattered pieces on the table.
The puzzle is begun. Do I want to continue working around the edges or take a chance and create a larger section of detached pieces who create their own whole but sit in the middle or to the side without physically touching the frame? The center morphs and grows, expanding. I know it will touch the frame at some point, and the image is already complete in vibration, on an invisible plane it is whole, but for now I choose the pieces, put one down because it doesn’t quite fit, it doesn’t go “here” but it will fit later — all the pieces will make sense when the puzzle is put back together just as it was originally dreamed into being. 
Meanwhile, enjoy the mystery, the journey, the process of knowing each part of one’s self and all those connections that reassure as well as surprise. 
I can’t remember what it was like not to be writing, not to be working on a creative writing project. I know I spent decades with zero creativity of story or thought — except in sporadic diary entries. Those “Dear Diary” entries that helped me tell “someone” what I was feeling, but I didn’t go the next step into trying to understand on a deeper level what I was feeling or doing.  
That’s why I believe we need to be helping children learn how to process their experiences and themselves and others. Not because I am in a position to physically help kids — I’m not — but because we all have a child inside us who is still confused or wounded. It is that child I seek to connect with, to describe through creative writing that might illuminate a hidden treasure in the dark corner, to help find the pieces of our/their lives that are mishapen and seem not to fit into any larger framework at all. The frame is so far away that we/they can’t see it: it’s like looking across the vast desert and wondering if that is a mirage or a real oasis, a mountain to climb or an illusion in the mind. 

But I am realizing now how one piece of my life fit into another, how saving a creature’s life ended up saving my own, how change created opportunity. And if I can see the connections, so can others. Pieces of the universal puzzle. Putting it all together for healing our planet.

Monday, July 7, 2014

The Highly-Skilled Spinster

"A significant number of the women in the fairy stories are self-employed, independent and skilled. They often have a relationship -- positive or negative -- with spinning. Although most women could and did spin domestically, if she became good at it, it was one of the few ways a woman could become financially self-sufficient. (Midwifery was an alternative career.) At her trial in 1431, Joan of Arc was immediately inflamed by the suggestion that she worked as a shepherdess: on the contrary, she snapped, she was a highly skilled spinster." *

* "The dignity and independence of spinning has left an odd, hidden mark on the English language. A spinster was a woman who could spin; it was as a compliment that the word was extended to all unmarried women, because it implied that they did not need a husband, but chose freely to love or live singly. 'A spinster of this parish' comes to have her banns called not from dire necessity, but from a position of equality and independence."

~ Sara Maitland, From the Forest: A Search for the Hidden Roots of Our Fairy Tales

Spinster is clearly another word that women can reclaim on behalf of empowerment!

This book by Maitland is a gem! I'm grateful that a friend living in the UK had recommended it to me. I will be sharing more from this book in the future -- text that relates to our interconnectedness with forests as well as the uniqueness of Spirit to be encountered within each diverse forestland or woodsy copse -- but couldn't resist posting the above quote on spinsters right away.


# Top Photo: "Margaret (alone at her spinning wheel)" by Frank Cadogan Cowper (English Pre-Raphaelite Painter, 1877-1958)

Friday, June 13, 2014

Death: Borderland to Bridge

Death touches us many times before our bodies die; it is a commonality we all share. Because of that, the topic presented itself to be explored in one of my University of Arizona assignments: the text in context paper. Even if you haven't seen the movie Babel or read the article, "the lines that continue to separate us," (both of which were assigned, not chosen; students were to interpret the movie through the lens of the article, to which I then added another lens), my hope is that the piece will be clear and interesting. So, in the spirit of sharing, of opening into our interconnected threads of experiencing life and death, I share my paper below.
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Death: Borderland to Bridge
Death is the ultimate architect of border and can draw people closer together or push them apart. David Newman’s language in his article, “The lines that continue to separate us,” can clarify and expand our conception of death and our reaction to it as it is subsequently portrayed in the movie Babel, directed by Alejandro González Iñárritu. Newman in concurrence with Babel helps us to see death from a new perspective: that dying and/or death can be an impetus that sends people into a borderland, one that can potentially lead to a bridge of acceptance toward the unknown. Babel displays a grand narrative of acute personal experiences, interwoven with death’s borders, and detailed through striking visual elements. This paper will specifically address how an American couple progress through the borderlands created by the death of their baby to eventually access a bridge of emotional healing.

Tuesday, June 10, 2014

Finding Love or Allowing Love?

While it may seem like only a silly, albeit entertaining, series, Sex and the City is also about getting to know and be comfortable with one’s self and choices. Because I witness this growth process in myself, re-watching the series every few years reminds me of how we change yet stay the same. For many women, me included, we endure a long journey laden with stumbles, falls, and climbing up over the ledge, repeatedly, before we can give voice to our uniquely individual truth. And even after discovering our authentic voice, we lose and find it again how many times? And this becomes even more complex when falling in -- and out of -- love is added to the journey.
In 1998, when the series began for thirty-something Carrie, Charlotte, Miranda, and Samantha, I was thirty-seven. I had just been through four years of intense and major changes, had been living the single life for over a decade, and felt like I was in pretty good company with these four. Not similar on the outside, but on the inside. After all, they were more ambitious and stylish than I was, my spiritual inclinations set me apart from them, and I was a country-girl, but how could I not relate to them when I was also a single woman in her thirties trying to figure out who I was and maybe, just maybe, find love along the way? Add into the mix that in 1999 I met the love of my life, and I was hooked into every episode.
I just finished watching the series from start to finish again, including the two movies, and I laughed so hard I nearly cried sometimes! As Carrie says:
“The most exciting, challenging and significant relationship of all 
is the one you have with yourself. 
And if you find someone to love the you you love, 
well, that’s just fabulous.” 
Another aspect of this series that I now see, and I’m not sure I did the first time around, is how all of these women soften through their experiences while trying to retain their voices. This is not an easy task in the modern world, whether ten, twenty or even thirty years ago. When we allow love to find us, we are within the feminine essence of being; when we seek to find love, especially through a driven or desperate or demanding energy, that is the masculine. How does love come to us? And is it important to understand this?
Marion Woodman wrote that: 
“Women today are reaping the harvest of generations of rape. 
Grandmothers and mothers have adjusted to patriarchal values 
to the point of extinguishing their own femininity.”  
While at first glance, the women of Sex and the City might appear to be ultra-feminine … are they? Do clothes and make-up, style and sex appeal result in or from core feminine energy? Or do we need to look closer, to draw aside the veil? By the time the series wraps, each of the four women has found her own path to balancing the opposites of animus and anima; this meant they had to soften into their relationships and expectations, while remaining firm in Self. 
I wonder what I will think the next time I watch Sex and the City? Where will I be in my own life in another five or so years — will my voice be lost or found? What about you? 

Last, but far from least, is how much I like the friendship maintained between these women. No matter what their trials and tribulations, they were always available for and forgiving of each other. 
Here's to women, authenticity, feminine energy, and friendship!

Tuesday, May 27, 2014

self and Self

Frieda Fordham's Introduction to Jung's Psychology is a gem for those of us who just want to understand the gist of Jung and his terminology. Because I'm diving into the works of female Jungian analysts as another window into the Divine Feminine, I wanted a quick-reference book. This one was re-published in 1966 (originally published in 1953) with an updated biographical sketch, and, as far as I could determine, is still considered one of the best resources for an overview of Jung. I greatly enjoyed it, I must say!

While this led me into a desire to read Jung's entire collection, as I now find him fascinating, that effort will have to be put on hold indefinitely. I have way too many other projects to do and books to read already, so I must prioritize. Don't we all?

I do highly recommend this thin volume, though, for anyone who is curious about Jung. An additional benefit is that Jung himself approved the work; the editorial note states: "The reader can enjoy all the attractive qualities of the introductory exposition with the added satisfaction of knowing that it is authentic. It has Jung's own Imprimatur and his personal commendation." Nice!

One aspect I hadn't realized was Jung's strong wish that every person be educated in the process of self discovery from childhood, and, if not, then at the very least all adults so that they could provide children with clearer guidance. Fordham also summarizes Jung's disgust with mass manipulation of people by organizations and governments, primarily because of this lack of deep self-awareness; not a surprise considering the wars he witnessed. I can imagine Jung would be even more appalled at the state of our global situation.

Of course, there are a lot of psychologists and spiritual leaders these days emphasizing the need for self-awareness and ritual in the lives of adults and children. I, for one, wish that some form of this was taught in grammar school along with the basics of meditation. We overload kids with information and sports without any framework in which to ground their own unique personalities. One of my favorite books exploring children, phases of life, and ritual is Bill Plotkin's Nature and the Human Soul. If I had children or grandchildren, I'd be recommending it. As it is, I try to talk about the subject with my brother and his kids; most of my brief suggestions are immediately turned away because, after all, he (and most other parents I know) says: "You don't have kids so you don't really have a clue." Granted. But this doesn't mean that I don't hope for a better future for the children of our world.


Wednesday, January 30, 2013

Reassuring

Susan Cain's book "Quiet ~ The Power of Introverts in a World That Can't Stop Talking" is reassuring. At least, it is for me since I'm a pretty extreme introvert. And it explains a lot of confusion and frustration that I experience and witness -- in myself as well as in other people. I mean, sure, we all know there are introverts and extroverts; the sliding scale spans a tremendous variety of individuals. But what I am enjoying in the book is that Cain clarifies our tendencies through the lens of our society and its history -- a society that currently celebrates the extrovert. It's a good reminder of our diversity; how to understand and appreciate each other a little better.

Anyone who knows me will not be surprised when I say that I am more comfortable in nature, or when reading/writing, than I am out in human community or trying to participate in group activities. So, I particularly like this quote from Cain's book where she is researching the nearly-mandatory extroversion of evangelical training and services (she earlier had shared her experiences visiting the highly-extroverted Harvard Business School):

"As the service wears on, I feel the same sense of alienation that McHugh has described. Events like this don't give me the sense of oneness others seem to enjoy; it's always been private occasions that make me feel connected to the joys and sorrows of the world, often in the form of communion with writers and musicians I'll never meet in person. Proust called these moments of unity between writer and reader 'that fruitful miracle of a communication in the midst of solitude.' ..."
"McHugh, as if reading my mind turns to me when the service is over. 'Everything in the service involved communication,' he says with gentle exasperation. 'Greeting people, the lengthy sermon, the singing. There was no emphasis on quiet, liturgy, ritual, things that give you space for contemplation.' ..."

The McHugh that Cain refers to is an evangelical pastor who wrote "Introverts in the Church: Finding Our Place in an Extroverted Culture."

This isn't about one being 'better' than the other; that would be ridiculous. But it does point to our tendency to exclude and include, to put everyone into a one-size-fits-all, which can be so damaging to soul and, ultimately, to our world.

Of course, I first heard about Susan Cain through Ted Talks:


Thursday, November 15, 2012

in the dark moon night

The wet blanket was tossed over the fire to smother the flame as quickly as possible. Someone was coming, I was sure I heard a footstep crunch toward me from the darkness, and we don't want to be seen. 

We weren't supposed to be here, see, the land was off limits, private property, only those dying few who had lots of money were allowed in here. A good heart didn't count for squat among those kind. This land was held and used by The Moneybelts; I heard their ilk were called the something else a long time ago before the awakening, but it's not important anymore. Now there were still a few private lands of lush forest and majestic mountains, like here, but no one could visit except the last remaining strange ones called The Wealthy. 

So we sneak in and commune; we are here to celebrate life within these private velds of green. Instead of hoarding Her energy, we honored and gave offering to Her, our Mother Eairth. Oh, these weren't the only green spaces, not by far. We've come a long way since the time of the Enlightenment when the scales tipped and then fell over to rust, the time of the Change when the majority simply refused to do any more work until all creatures and people were cared for and provided with enough. No, these green spaces still 'owned' and gated and isolated by The Moneybelts were few, but desperately in need of ritual cleansing to set free the spirits that lay within, remnants of an ignorant time when people thought bodies were the most important part of Life and so clung to them even in death, afraid to let them go, terrified of letting them return to the Mother as nourishment through transformation.

"I think whoever it was is gone." Cloud's whisper reaches my ears in the silence of the woods, carried upon the shadows of the dark moon night. 

We pick up our shovels once more and began digging with reverence, casting prayers upon the elements, talking to the ones who were held confined to this space, afraid to leave because of the energies that bound them to their bodies within the vaults guaranteed to last centuries. Striking a hard surface, me and my friends brush the last bit of dirt away gently with our hands and open the lid of the casket. "Mrs. Miller, you're free," I whisper, and my sisters join me in an ancient chant. We take her bones and all that is left of her body, placing them within a hemp bag to take back to the funereal pyre built earlier in the night. I feel her sigh of relief caress my cheek upon the current of light cool breeze. Climbing out of the grave, I look across the dark expanse defined by tombstones and giant pine trees that rise tall and thick among the old stone markers barely legible, I see the bushes and ferns spreading themselves wild around the maze of once perfectly aligned burial sites where roots and quakes have shifted and lifted them out of their purchased complacency. Hundreds more to go, one at a time. 

While we have the legal right to conduct these acts and rituals of liberation, provided by the Council of Elders, this compound and those like it remain heavily monitored by the Old Guard who cling to their archaic ways in spite of all that has been accomplished since the Great Shift, and it is said in hushed tones that they are still willing to kill just to maintain control and a semblance of power over others. They are so few now, they're no longer a threat to the greater good throughout most of the world. But here, we are careful not to be seen. No one could imagine killing another human these days, or any living creature for that matter, but these people might. So rather than risk it, one of the initiations into becoming a priestess of passing is to slip into the fenced compound and free souls from their prisons. We know our duty and try to stay focused, but every so often one of us lets slip a nervous giggle. Which is what thirteen-year-old girls are prone to do, after all.
_________________
This is a free write from the ClarityWorks prompt "wet blanket" in my email this morning. I think part of this flight of fancy came from watching the movie "The Magic of Bell Isle" last night; fabulous movie with Morgan Freeman about writing and the imagination and "seeing what isn't there." A wonderful scene from the movie HERE but don't watch the official trailer as it gives away too many great lines and scenes! LOL Anyway, awesome film.


Wednesday, November 7, 2012

of myth and legend

Ancient Minoan Olive Tree at Kavousi (3250 years old)

Among the twigs and branches of the mythic forest, I find my way forward, eyes wide open in awe, gazing at the unfamiliar green giants towering above, and at fuchsia toadstools that hide upon the edge of the narrow path where flower petals have fallen and given themselves to guide my way softly with loving encouragement. 

The mythic forest is strong and lush, filled with the truth that I seek. Each footstep is hushed by the layer of leaves and blossoms while a rainbow guides my reaching hands into the next moment of surprise and welcome. The energy changes constantly as desires of millions fly in and out of these woods and clearings upon the wings of fairies who smile with delight to know the change is happening. They’ve been patient and encouraging for thousands of years, and are eager to help in the shift.

I raise my hands and see them tattooed with henna peace symbols, tracings of the veins of leaves that welcome me by tapping on my shoulder and caressing my cheek before drifting to the forest path to leave a secret message in the earth as their own change begins.

A new day is dawning and here where all possibility and potential lives, the inhabitants are rising, pulling on their moccasins of community and their cloaks of imagination, washing their faces in the dew of the rushing waters held a while in suspension but now released, a misty wisdom hurling itself into the morning with the joyous giggling of droplets that can fall freely now back to the ocean and rivers of flowing Vital Force within which lies creativity and freedom. Here in the mythic forest, a change is happening and I am witness to it all.

The walls around the forest have been pulled down by hobbits and rabbits and all those who continued to dig under or climb over in the dark of the night knowing the sacred core was still glowing within, though hidden away at one time for safety and protection, but then was hoarded, and finally forgotten and buried by the overgrowth of inactivity within its depths. Come into the mythic forest where all who love are welcome, where all can play in peace together under the GaiaTree. 

No longer divided or kept away, no longer hidden from self or others, pure freedom flies in this mythic forest upon the wings of the white doves and the wise owl while the eagle takes its cue from them, descending onto its ledge to rest and nurture its neglected young in peace and plenty. The vulture picks clean the bones outside the forest so that they are ready for transformation and renewal, and I help to carry the bones into the mythic forest where the bleached remnants are honored and then burned upon the altar of change, the spirits within rising to kiss the sky, and the ashes fall to nourish the earth. 

_______________
Stream of consciousness writing from today's ClarityWorks writing prompt "mythic forest"

Sunday, July 8, 2012

thoughts of a novice novelist

     Calling in the recruits (inviting the muse, asking the guides, etc.) to assist in the new imaginary world, my thoughts turn to story and worlds created in mind and emotion, blending the pros and cons, making choices.
     I might want to have this perfect eden -- a utopia. It's how it began. And yet, I am not ready to live in that world and neither are other readers. We are still learning how to Be -- be present, and content, compassionate and wise.
     Instead, the world I create is a microcosm of that which I am still working on within myself, the aspects that resonate with me and the situations that challenge or scare me or make me feel unable to cope in the world.
     The protagonist is on her own journey -- some of what she experiences I have been through and have become perhaps a little wiser, and others I am still experiencing. And I'm sure many lessons await me just around the bend. And that is okay. Even novel writing is cathartic -- maybe more than journaling in some ways because I move the characters through all the scenarios unfamiliar to me as well as those known! And that's exciting and fun but also a challenge just as the real world would be. Except that in my written stories I have the time and space to pause, think about the different responses available and play them out a ways instead of reacting quickly in one direction with no way back. Perhaps if I can embrace this perspective more fully, I will be able more easily to let go of a scene or passage and try a different direction or response. I can always return to my original scene if I find that it remains the truest to character and plot and theme.
     I continue growing into all the components of writing, learning not to fear changing a scene or adding something new. To recognize myself as the author of the story and not the reader. This is a shift that becomes more apparent the longer I continue writing. To realize that what emerges initially as the story can be changed. Repeatedly, if necessary. To realize that as the author I am not locked into one path for the story or even one footstep. All is open. I could potentially change one thing, everything, or nothing!
     It's that simple and that complex because I feel this obligation of sorts to remain true to what came out originally. To love it as it is.
     Where is that loyalty coming from? Fear? Stubbornness? A rigidity of form that resists change? Do I feel it is control or a lack of control to venture away from the birth of the idea and storyline? To add and remove? Or do I simply feel I can trust what emerges initially more than I can what my mind tells me to do later to change or disguise the original story? The past nearly two decades of my fifty years have been a huge learning curve to trust intuition rather than negate it; is that influencing my resistance to changing my 'baby' story into something that I 'think' is better or more appealing? How to wed the revisions to both imagination and intellect, to create a hand-fasting that binds intuition with craft yet leaves both free to give and receive?
     Writing is a journey of Self, whether fiction or non, and I am enjoying the process, the opening, the melding of worlds and psyche, of lives unreal and real experiences. None of the people who populate my imaginary world are insignificant, they are all vital, and I feel myself opening further to that same realization in 'real' life, too, on deeper/higher levels. Everyone is key and all parts are vital. Setting is as important as character, for it becomes a character in its on right. Or at least it does in what I am writing and in how I live. No separation.
     I feel everything that happens, not just in my mind but in my body, because I have to feel what they feel or this entire thing becomes just letters on a page with no heart or purpose and no rhythm. I hear their song, the melody of the story . . . sometimes only faintly in the background but there . . . and how well I write, how true I am to listening determines to some extent whether someone else reading it also hears the entire orchestra and not only the string section.
_______________________

The first thing I read later in the day, after writing the above stream-of-consciousness piece, was:
"The idea running through these lectures is by now plain enough: that there are in the novel two forces: human beings and a bundle of various things not human beings, and that it is the novelist's business to adjust these two forces and conciliate their claims. That is plain enough, but does it run through the novel too? Perhaps our subject . . .  has stolen away from us while we theorize, like a shadow from an ascending bird. The bird is all right--it climbs, it is consistent and eminent. The shadow is all right--it has flickered across roads and gardens. But the two things resemble one another less and less, they do not touch as they did when the bird rested its toes on the ground."

(E.M. Forster's "Aspects of the Novel" - emphasis mine)

This "ascending bird" is a good touchstone for me, something to return to when I become lost in a single aspect of writing, or become confused in contemplating the minutia of the journey. Whenever I feel myself flying further apart from the core of the story, I shall land and reconnect with the whole--the big picture.
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